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              Political Cartoon Rhetorical Analysis

Drew Sheneman has been an editorial cartoonist for the Star-Ledger in Newark, NJ since 1998. His work is frequently published on the website gocomics.com. With the remarkable ability to display the thoughts and emotions of characters through subtle facial expressions and witty dialogue, he frequently portrays America’s popular opinion precisely. He recently created a political cartoon showcasing the recent BP oil spill crisis.
In this political cartoon, a grim disaster is portrayed comically, as is often the case with political cartoons. Sheneman appears to relate to the reader quite well, as he assumes the reader has previous knowledge of the BP oil disaster depicted in the cartoon, otherwise he may have needed multiple frames to set the story for the unaware audience. His only indication of the location he is cartooning is a noticeably illustrated sign, which reads “Gulf Coast”.  He also assumes that most of the American public is familiar with the Political Party symbols; a donkey representing Democrats and an elephant representing Republicans. He does this by using a man with an elephant’s head as a character in his illustration.
His claim for this cartoon is to show that members of the Republican Party in the United States legislature are fonder of profits than the environment or the people an environmental catastrophe has affected. This is one way in which he has utilized the strategy of persuasion, pathos, or convincing readers through emotional appeal. The Republican portrayed is indifferent to the environmental poisoning effecting the Gulf Coast population, but thoroughly concerned with lost profits. This appeals to the reader’s sense of outrage and disbelief, enticing them emotionally to accept Sheneman’s perception of the oil spill.
 He has also used pathos in his depiction of the woman stating, ”What a terrible tragedy.” creating emotional sympathy in the reader.
This is meant to appeal to the American public, who most likely, is decent enough in heart and mind to see that people, and the environment, must come before oil and profit.  Pathos is also present when interpreting the subtle facial cues of the woman and Republican elephant. The woman has a look of pity mixed with anger about her face.
The elephant appears to be uncaring, and perhaps even bored out of his wits while saying, “I know. Look at all that wasted oil.” This one line effectively sums up Sheneman’s view of the Republican Party’s rationale, while providing an extremely effective rhetoric for such views in as few words as possible. This appeals to the emotions of the reader as well. The reader may be left to feel disgust for the Republican Party, which is most likely what Sheneman was aiming for.
Unfortunately, within a cartoon, some logical fallacies may occur. It may be considered stacking the evidence, wherein the comic portrays the Republican Party as solely to blame, without displaying the Republican Party’s defense to such argument. But, as a comic consisting of only one frame, the rules may be somewhat lax. The fallacy does not weaken the overall effectiveness of the rhetoric, as it is not overly apparent that a rebuttal should be made. Political cartoons generally illustrate one side of an argument due to space limitations and the desire to convey one key point as quickly and effectively as possible.
Also, it should be acknowledged, that the elephant, while well dressed, is over weight, wrinkled, and has drooping eyes; a characteristic stereotype of Republicans the author wishes to relay to the reader: the big, fat, rich guy.  This creates the logical fallacy of sweeping generalization, in which oversimplified characterization of a group of people is present. Again, the presence of such a fallacy does not weaken the effectiveness of the rhetoric. On the contrary, political cartoons generally oversimplify many aspects of the situation depicted in order to quickly convey an argument. If the republican elephant had been dressed similarly to the sympathetic woman, the blurring of personalities would have weakened the rhetoric. For many political cartoons, it is important to illustrate bold differences in characters to more effectively convey identities. The elephant is well dressed, showing affluence and authority, while the woman is dressed casually, with sleeves rolled up, shorts, and flip-flops. This helps the reader associate with the woman as a common person. It also demonstrates Sheneman anticipated the common person as his primary audience. Choosing or anticipating a primary audience is an important characteristic of any effective rhetoric writer, including political cartoonists.
The job of a political cartoonist requires lampooning and exaggerating reality, to make light of what is often terrible news while effectively communicating rhetoric. In a way, it can be an admirable profession. Often, the truth is far more comical than fiction, and, in a world inundated with bad news; sometimes one simply needs a good laugh. Sheneman has helped readers do just that with his featured carton’s rhetoric. With one frame of illustration and two lines of dialogue, he just may have helped brighten thousands of readers’ days.